Tag Archive: Trapture


Everything is wrapping up at Fringe central as we farewell the 2010 Sydney Fringe and get cracking on next year’s festivities.

The first year of the Fringe saw 260+ events, with our festival judges getting out to as many as possible in order to give out the inaugural Sydney Fringe Awards. We congratulate all of our winners, knowing that these are only a small percentage of the enormous number of events that astounded, surprised and delighted us.

Our awards night on Wednesday was a huge success with friends, artists, dim lighting and free wine making it a night to remember! Have a look below at our list of winners.

See you on the Fringe … next year!

2010 AWARD WINNERS

GROLSCH BEST OF FEST PEOPLE’S CHOICE AWARD
Rip Whitening’s Synchro Destiny Experience

THE SYDNEY FESTIVAL AWARD FOR OUTSTANDING INDEPENDENT ARTIST
Aerialize

SYDNEY MORNING HERALD MOST THRILLING THEATRICAL EVENT AWARD
SandS through the hourglass: Trapture

SYDNEY AIRPORT EXCELLENCE IN NEW THEATRE
The Hideous Demise of Detective Slate

DRUM MEDIA SHOW-STOPPING INDIVIDUAL PERFORMANCE AWARD
Blake Erickson for “Pearls before Swine”

PETER LEHMANN WINES FEAT OF PHYSICAL ASTONISHMENT CIRCUS /BURLESQUE/ PHYSICAL THEATRE) AWARD
Skye Gellmann for “Retinal Damage”

TIME OUT SYDNEY BEST MUSICAL MOMENT AWARD
Tubular Bells for Two

PURPLE GOAT DESIGN VISUAL & DIGITAL ARTS VISIONARY AWARD
Magic Wallpaper Project: Hideous Beauties Collection

AVANT CARD – BODIES IN SPACE DANCE AWARD
Collapse

CANADIAN CLUB ROFL COMEDY AWARD
Sexy Tales of Paleontology

SYDNEY BARTENDERS ON-THE-HOUSE AWARD FOR BEST FREE EVENT
Pop up Festival Tour of the City

BYTECRAFT EXCEPTIONAL ACHIEVEMENT IN PRODUCTION AND DESIGN AWARD
Clammy Glamour from the Curio Cabinet

SYDNEY BUSES GREEN PERFORMANCE AWARD FOR EXCELLENCE IN SUSTAINABILITY
Landing

CONGRATULATIONS TO ALL THE WINNERS!

Vox Popcorn #6

Alexis, Mo and Vick had just enjoyed watching the last performance of The Famous Maurice Flea Circus. Mo thought it had been “entertaining the whole way through”, while Vick abstained from commenting because she is biased – her brother Tom is part of the cast. “It was good to see some of their new stuff being performed,” she admitted. Next, for Vick, is Landing to see Owen Salome who is both a flautist and composer.


Word of mouth about Clammy Glamour From The Curio Cabinet successfully attracted a number of audience members who were attending their first fringe show, even as the festival is drawing to a close.

Murray found it difficult to find the time to see the shows he wanted, but was familiar with the works of Aerialize, and didn’t want to miss Clammy Glamour. He was impressed with Akousmaflore, an installation piece in the Carriageworks foyer consisting of hanging potplants that give audible reactions to being touched. “It is very clever. The people were all wondering how they have done that.”

Lindy was just starting her Fringe experience and was planning on following up with a visit to A Tiny Chorus because of its success in winning the 2009 People’s Choice Award at the Melbourne Fringe Festival.

Sally Chance is visiting from Adelaide and came to see Clammy Glamour, as it was co-directed by Simone O’Brien, a fellow student in the Masterclass in theatre-making being hosted by Chiara Guidi.


The audience wasn’t just toe-dippers trying their first Fringe performance, though.

Brad has been taking in a number of shows, including Retinal Damage, Sexy Tales of Paleontology (“a very funny show”) and Pearls Before Swine (“recommended”). It was Trapture that first jumped to his mind when I asked for his favourite. “It was shocking and surprising – and I am not often shocked or surprised. It was an authentic, hard-core Fringe experience.”

I found Heidi Hillier waiting in queue as well. She hasn’t had much of a chance to see fringe shows, until her own Lost And Found show completed its run, but she has now seen Working Class Sheilas. “It’s a heart-warming story and had beautiful caricatures. It’ll be appreciated by anyone who grew up in regional Australia.”

Vox Popcorn is a series of quick interviews with fringe-goers about what they are seeing.