Tag Archive: Fringe Festival


Everything is wrapping up at Fringe central as we farewell the 2010 Sydney Fringe and get cracking on next year’s festivities.

The first year of the Fringe saw 260+ events, with our festival judges getting out to as many as possible in order to give out the inaugural Sydney Fringe Awards. We congratulate all of our winners, knowing that these are only a small percentage of the enormous number of events that astounded, surprised and delighted us.

Our awards night on Wednesday was a huge success with friends, artists, dim lighting and free wine making it a night to remember! Have a look below at our list of winners.

See you on the Fringe … next year!

2010 AWARD WINNERS

GROLSCH BEST OF FEST PEOPLE’S CHOICE AWARD
Rip Whitening’s Synchro Destiny Experience

THE SYDNEY FESTIVAL AWARD FOR OUTSTANDING INDEPENDENT ARTIST
Aerialize

SYDNEY MORNING HERALD MOST THRILLING THEATRICAL EVENT AWARD
SandS through the hourglass: Trapture

SYDNEY AIRPORT EXCELLENCE IN NEW THEATRE
The Hideous Demise of Detective Slate

DRUM MEDIA SHOW-STOPPING INDIVIDUAL PERFORMANCE AWARD
Blake Erickson for “Pearls before Swine”

PETER LEHMANN WINES FEAT OF PHYSICAL ASTONISHMENT CIRCUS /BURLESQUE/ PHYSICAL THEATRE) AWARD
Skye Gellmann for “Retinal Damage”

TIME OUT SYDNEY BEST MUSICAL MOMENT AWARD
Tubular Bells for Two

PURPLE GOAT DESIGN VISUAL & DIGITAL ARTS VISIONARY AWARD
Magic Wallpaper Project: Hideous Beauties Collection

AVANT CARD – BODIES IN SPACE DANCE AWARD
Collapse

CANADIAN CLUB ROFL COMEDY AWARD
Sexy Tales of Paleontology

SYDNEY BARTENDERS ON-THE-HOUSE AWARD FOR BEST FREE EVENT
Pop up Festival Tour of the City

BYTECRAFT EXCEPTIONAL ACHIEVEMENT IN PRODUCTION AND DESIGN AWARD
Clammy Glamour from the Curio Cabinet

SYDNEY BUSES GREEN PERFORMANCE AWARD FOR EXCELLENCE IN SUSTAINABILITY
Landing

CONGRATULATIONS TO ALL THE WINNERS!

We had a fantastic year one response, with 35,000 tickets being sold for Fringe performing arts events, with an additional 15,000 tickets sold for partner events (such as music), and over 50,000 attendees at dozens of other official Fringe events, which included such smash hits as the Changing Lanes festival, the Carriageworks visual arts exhibit The Awkwardness of Belonging, the Your Big Backyard event at Sydney Park and the Mobile Screenfest at the Factory, amongst dozens of events.
We didn’t know what to expect from the first year – ticket sales aren’t the only measure of success, but it’s nice to know there is an audience in Sydney for alternative arts.  It is an audience we’re committed to building for the second year. We had a mix of shows selling out, with other less commercial shows reaching smaller audiences – though, we’d like to think that’s exactly what you want in a Fringe.
Multiple shows and events sold out across the Fringe, including Candy Royalle: Love Spectacular, Sexy Tales of Paleontology, Changing Lanes, Jeffree Star, Van Park with John Paul Young, Monica Trapaga’s Monica Goes to Rehab and My Private Parts: An Inside View of Fertilisation. The musical Bare played to packed houses, as did Words & Music from Life’s A Circus…and More, the Hideous Demise of Detective Slate, Intertwine and the CarriageWorks hit, Clammy Glamour from the Curio Cabinet, as well as many others.
In other news, we’re proud to announce the nominees from the Award program!  We had representatives of the Fringe seeing shows across the event, so we could get feedback about every show.  This jury included Fringe and venue representatives, industry professionals, staff representing our funders, and others.  Here is a list of the shows they felt should be offered further acknowledgement for their excellence in Fringe 2010!
The Sydney Fringe 2010 Award Nominees
SYDNEY MORNING HERALD MOST THRILLING THEATRICAL EVENT AWARD
Burlesque Assassin
The Hideous Demise of Detective Slate
Lunamorph
Retinal Damage
SandS through the hourglass: Trapture
SYDNEY AIRPORT EXCELLENCE IN NEW THEATRE
Appleloft
Fat Boy Dancing
Erth & Nick Cave’s “Murder Ballads” puppetry piece
The Hideous Demise of Detective Slate
Off The Shelf’s Boiler Room series (programmed by Augusta Supple)
DRUM MEDIA SHOW-STOPPING INDIVIDUAL PERFORMANCE AWARD
The Alchemical Cabaret – Jason Hodgman
Bitter/Sweet – Lena Cruz
Candy Royalle: Love Spectacular – Candy Royalle
Pearls before Swine – Blake Erikson
Retinal Damage – Skye Gellmann
SYDNEY BARTENDERS ON-THE-HOUSE AWARD FOR BEST FREE EVENT
The Awkwardness of Belonging
Black Friday
Fighting Fire
Pop up Festival Tour of the City
Projector Bike
TIME OUT SYDNEY BEST MUSICAL MOMENT AWARD
Changing Lanes
Lane Hinchcliff
Pugsley Buzzard
Sonic Canvas
Tubular Bells for Two
CANADIAN CLUB ROFL COMEDY AWARD
The Hideous Demise of Detective Slate
Rip Whitening’s Synchro Destiny Experience
Sam Simmons Failed
Sexy Tales of Paleontology
Zoe & Penny’s Very Short Attention Span
PURPLE GOAT DESIGN VISUAL & DIGITAL ARTS VISIONARY AWARD:
The Awkwardness of Belonging
Lunamorph
Magic Wallpaper Project: Hideous Beauties Collection
Newtown in the 30′s
Scars, Tattoos and Skateboards: The Rise of the Phoenix
PETER LEHMANN WINES FEAT OF PHYSICAL ASTONISHMENT (CIRCUS/BURLESQUE/PHYSICAL THEATRE) AWARD
The Famous Maurice Flea Circus
Clammy Glamour from the Curio Cabinet
Retinal Damage
AVANT CARD – BODIES IN SPACE DANCE AWARD
Collapse
Intertwine
Three Steps Towards
SYDNEY BUSES GREEN PERFORMANCE AWARD FOR EXCELLENCE IN SUSTAINABILITY
Landing
Magic Mic: “Rubbish!”
The Red Rattler
BYTECRAFT EXCEPTIONAL ACHIEVEMENT IN PRODUCTION AND DESIGN AWARD
Clammy Glamour from the Curio Cabinet
SandS through the hourglass: Trapture
Three Steps Towards
GROLSCH BEST OF FEST PEOPLE’S CHOICE AWARD
Bitter/Sweet
Bygone Error
Freddy and Eden present Beautiful Things
Rip Whitening’s Synchro Destiny Experience
Walk Me!

We had a fantastic year one response, with 35,000 tickets being sold for Fringe performing arts events, with an additional 15,000 tickets sold for partner events (such as music), and over 50,000 attendees at dozens of other official Fringe events, which included such smash hits as the Changing Lanes festival, the Carriageworks visual arts exhibit The Awkwardness of Belonging, the Your Big Backyard event at Sydney Park and the Mobile Screenfest at the Factory, amongst dozens of events.
We didn’t know what to expect from the first year – ticket sales aren’t the only measure of success, but it’s nice to know there is an audience in Sydney for alternative arts.  It is an audience we’re committed to building for the second year. We had a mix of shows selling out, with other less commercial shows reaching smaller audiences – though, we’d like to think that’s exactly what you want in a Fringe. Multiple shows and events sold out across the Fringe, including Candy Royalle: Love Spectacular, Sexy Tales of Paleontology, Changing Lanes, Jeffree Star, Van Park with John Paul Young, Monica Trapaga’s Monica Goes to Rehab and My Private Parts: An Inside View of Fertilisation. The musical Bare played to packed houses, as did Words & Music from Life’s A Circus…and More, the Hideous Demise of Detective Slate, Intertwine and the CarriageWorks hit, Clammy Glamour from the Curio Cabinet, as well as many others.
In other news, we’re proud to announce the nominees from the Award program!  We had representatives of the Fringe seeing shows across the event, so we could get feedback about every show.  This jury included Fringe and venue representatives, industry professionals, staff representing our funders, and others.  Here is a list of the shows they felt should be offered further acknowledgement for their excellence in Fringe 2010!  The Sydney Fringe 2010 Award Nominees SYDNEY MORNING HERALD MOST THRILLING THEATRICAL EVENT AWARD Burlesque AssassinThe Hideous Demise of Detective Slate Lunamorph Retinal DamageSandS through the hourglass: Trapture  SYDNEY AIRPORT EXCELLENCE IN NEW THEATRE  AppleloftFat Boy Dancing Erth & Nick Cave’s “Murder Ballads” puppetry pieceThe Hideous Demise of Detective Slate Off The Shelf’s Boiler Room series (programmed by Augusta Supple) DRUM MEDIA SHOW-STOPPING INDIVIDUAL PERFORMANCE AWARD  The Alchemical Cabaret – Jason Hodgman Bitter/Sweet – Lena CruzCandy Royalle: Love Spectacular – Candy RoyallePearls before Swine – Blake EriksonRetinal Damage – Skye Gellmann  SYDNEY BARTENDERS ON-THE-HOUSE AWARD FOR BEST FREE EVENT  The Awkwardness of BelongingBlack FridayFighting FirePop up Festival Tour of the CityProjector Bike  TIME OUT SYDNEY BEST MUSICAL MOMENT AWARD Changing LanesLane Hinchcliff Pugsley BuzzardSonic CanvasTubular Bells for Two  CANADIAN CLUB ROFL COMEDY AWARDThe Hideous Demise of Detective Slate Rip Whitening’s Synchro Destiny Experience Sam Simmons Failed   Sexy Tales of Paleontology Zoe & Penny’s Very Short Attention Span  PURPLE GOAT DESIGN VISUAL & DIGITAL ARTS VISIONARY AWARD: The Awkwardness of Belonging LunamorphMagic Wallpaper Project: Hideous Beauties CollectionNewtown in the 30′s Scars, Tattoos and Skateboards: The Rise of the Phoenix PETER LEHMANN WINES FEAT OF PHYSICAL ASTONISHMENT (CIRCUS/BURLESQUE/PHYSICAL THEATRE) AWARD The Famous Maurice Flea CircusClammy Glamour from the Curio Cabinet Retinal Damage  AVANT CARD – BODIES IN SPACE DANCE AWARD  Collapse Intertwine Three Steps Towards    SYDNEY BUSES GREEN PERFORMANCE AWARD FOR EXCELLENCE IN SUSTAINABILITY  Landing Magic Mic: “Rubbish!”The Red Rattler BYTECRAFT EXCEPTIONAL ACHIEVEMENT IN PRODUCTION AND DESIGN AWARDClammy Glamour from the Curio CabinetSandS through the hourglass: TraptureThree Steps Towards  GROLSCH BEST OF FEST PEOPLE’S CHOICE AWARDBitter/SweetBygone ErrorFreddy and Eden present Beautiful ThingsRip Whitening’s Synchro Destiny ExperienceWalk Me!

‘The Event’ – Review and Photos!

‘The Event’, held at the School of Arts in Newtown could be considered an exploration of the realities we construct – or at least convey to those around us.

As the self-aware protagonist, Nick Pelomis guides us through the myriad of ruses that we encounter in theatre, reflecting at the same time upon the words he speaks to us.

‘The Event’ simultaneously exposes its methods to connive whilst giving us something more to think about. As we are convinced of the artificial nature of the theatrical experience we can’t help but accept an honesty that is portrayed.

The well-written monologue never leaves the audience behind; every line is followed by a reflection on the delivery and meaning of the whole endeavour. The crowd laughs with the protagonist as he recites his musings. Often simply being made aware of the deliberate illusion of theatre produced smiles and laughter. What should be a disorienting experience is smoothed by the protagonist’s words of comfort, that none of it is real.

‘The Event’ is brilliantly ingenious theatre.  It is personal, honest in its dishonesty, and genuinely funny. One is left to question and reflect on performance, both on and off the stage.

We’ve only just begun (then we died, so . . enjoy it)

I’ve always been fascinated by dead musicians. Every generation has a favourite or three. In my early years I was obsessed with the fine works of Sid Vicious (yes, I use the word “works” and “fine” far too liberally) , Jimi Hendrix and later found a deep bond with Jim Morrison, likely fueled by a love affair with the Oliver Stone movie, teen angst and way too much cider.

The day that Kurt Cobain died, I was crawling myself out of an inner city night club and wandered into Virgin Records to see the counterstaff crying over the death of thier idol. Genuinely shocked that someone so bright had died so early in what would have been a promising career (with a small amount of thought to setting up a nice counter display of Nirvana CD’s at the front – many would suggest this was a good thing for Dave Grohl . . but I digress)

The same love affair for the works of artists who died way too young is held by Meredith O’Reilly and comes out in “We’ve only just begun”, her performances at the Factory Theatre as part of the Sydney Fringe Festival.

Discovering that she had outlived many of her idols, Meredith pulled together some of thier defining works in this one hour performance.

Meredith O’Reilly has been a professional entertainer for over two decades. In the 90’s she was a Finalist in The Australian Singing Competition and in 2005 was nominated for both a Green Room Award and a prestigious Helpmann Award for Best Supporting Actress In A Musical for The Producers.

She has worked extensively in Music Theatre (Les Mis, Hello Dolly! , Chess, Gypsy, The New Rocky Horror Show, How to Succeed In Business…to name just a few), Television and Radio. She has produced and performed in cabaret shows at Pastels Café, Side On Café, Slide and The Statement Lounge and many corporate tours and events.

A testament to her ability to stretch the craft, Meredith also portrayed  Australia’s first female P.M., Julia Gillard, in Melbourne in a hastily re-written new musical called Rain! (Anyone who can go red for a cause has my vote)

But today is about the many dead artists who left behind a legacy of songs after being cut off far too early in their careers.

 The often surprising stories and real truths behind the bright lives cut so tragically short. I cover about a dozen artists and  sing in their style and attempt at least the flavour of their voices (male and female, in the original keys) – Meredith

Patsy Kline, Bessie Smith, Jim Morrison, Otis Redding and many others all get a look in. the vocal range required for such a diverse group of artists showcases the talent of Meredith and her co-performer, Richard Horsley (Piano)

Kurt Cobain and Sid Vicious?  Bon Scott?

Not this time, I’m afraid…but mainly because I can’t sing like or sound like them! There is a LONG list at the end of the show and Kurt is on that wall of 30 or so OTHER singers who died before they were 50 (average age 30). – Meredith

OK, OK, I agree. . . it’s not like they were a patch on some of the more talented singers of the last 40 years anyway, and it’s not all about satiating the teenage memories of this little black duck!

Meredith doesnt just sing, she talks through and shares the intimate and often raw stories of some of the performers who met some fairly gruesome ends. Many in the audience joined in, not suprisingly knowing the words to songs that became the themes to generations of rebelious teens and complex adults.

We had a wonderful first night last night. I’ve done different versions of this show before, too and the reaction is always the same: ooos and ahhhs at some of the weird, icky stories, laughter and , yes, they sing along! – Meredith

The Sydney Fringe Festival has been an excellent vehicle to showcase the talents of many local performers, Meredith has lived here most of her life. . . and has experienced much that it has to offer.   . . of course, Adelaide also has it’s merits

Definitely Inner West…have lived most of my life there (Haberfield,Ashfield, Stanmore, Marrickville), although I’ve had some happy times on tour with big shows (Les Mis, Hello Dolly) in Adelaide, too.- Meredith

We’ve only just begun is at the Factory Theatre all through the Fringe Festival.

DATE and TIME – 13/09 20:00, 17/09 20:00, 18/09 18:30, 19/09 21:30, 24/09 18:30,

VENUE – The Fuse Box (Factory Theatre)

TICKETS: – Adult: $24.00, Concession: $20.00

Larry Heath chats to artist Nathan Garnett, ahead of the launch of his New Theatre video installation, “Newtown in the 30s”. It will appear in conjunction with the Black Friday GPS tour, in the foyer of the New Theatre on King St.

1. What brought you into the field (of photography/film etc.)?

As soon as I got my hands on my first video camera I was off. I won a bunch of editing gear and a traineeship at film school. From there I went into making short films, editing in a production house and VJ-ing, which I still do. These days, it’s more about the content. I enjoy creating a vista, a moving painting.

2. How did the concept for this piece come about?

The idea of turning back the clock eighty years on Newtown came about when it was suggested that my work may be presented at the start of The Black Friday GPS tour in the foyer of The New Theatre (which has a history within itself). Already familiar with the topic I jumped on it and came up with the idea of taking the audience from the current world back to the 1930s and by doing so, helping to create the transition to the tour.

3. What do you hope people will take away from your work?

An experience of what parts of the area used to look and sound like and how familiarity with something changes, something you might see everyday, when you look beyond what you know.

4. Who do you look to for creative inspiration – either specifically for this piece or in general?

I can’t think of one particular inspiration for my work in general apart from my mum, Julia, who is one of my favourite artists. My brain is unconsciously being overwhelmed by millions of bits of input and the origin of what comes out the other side of the filter is anyone’s guess. For this piece specifically, I’ve drawn inspiration from my fascination of history in conjunction with a sence of place.

5. What can we look forward to from you in the future?

Apart from the projected themescapes I create for events, I’d like to take these ”Windows of the Past” into the street where you can stand in a certain spot and the projection (or screen) overlays what currently exists, with what used to be. There may even be applications for windows into the future..!

Sexy Tales of Paleontology – McConaughey Speaks

Sexy Tales of Paleontology is an official selection of the Sydney Fringe Festival.

Where: The Boiler Room, Factory Theatre
Dates: 16th, 17th, 18th, 19th and 24th of September, 2010
Price: $20/$16 concession
Tickets: Go to www.thesydneyfringe.com.au/shows/sexy-tales-paleontology

Written by Patrick Lenton, Bridget Lutherborrow, Daniel East
Directed by Anne-Maree Magi
In association with Queen Street Studio and Off the Shelf

JHE press conference and record signing this Wed 1 Sep, 6-8pm

Fans and the media can get a sneak peek and meet at an exclusive record signing and press conference as The JHE get back together in the same room for the first time in 25 years. Be there to witness this historic moment, @ ATVP Wednesday 1 September 6-8pm.

J.H.E

(The Jarrod Hayne Experiment)

Curated by Pedro TV

10 – 26 September

Opening night gig, Friday 10 September 6-10pm

(Record signing and Press Conference Wednesday 1 September 6-8pm)

After 25 long years, 2010 sees the return of legendary cowpunk-circus-blues band – JHE (The Jarrod Hayne Experiment) – still considered masters of their genre (perhaps the only stated example) after only 2 performances at legendary Hopetoun Hotel*.

Sherlock Abbattoir – vocals/guitar/beat poetry

Art Blank – violin/keys/masks/costumes

Izzy Ibis – bass/cardboard yidaki/harmonica/beats

Jake Butel – percussion/discussion

Mr Gypsy O’Flanagan OBE OA – Manager

Curated by Pedro TV, an avid fan of the band, J.H.E (the exhibition) will showcase artworks, photography, portraits, historical paraphernalia, merchandise, media, sound and video recordings and other weird and wonderful bits and pieces inspired by the band and it’s brief existence and it’s come-back gig for the Sydney Fringe Festival 2010.

The reunion gig is set to be a pertinent ‘reminder’ of the JHE heyday, supported by two of the hottest acts in Sydney today – Christian Punch and Panzer Queen  – along with circus artists, go-go dancers, groupies, drug dealers, bar-drunks, roadies, door-bitches and hanger-on-ers, at ATVP Friday 10 September, 6-9pm.

* If you can recall J.H.E’s heyday at the Hopetoun, well you most probably weren’t there!

J.H.E is an official event of The Sydney Fringe Festival 2010 and is generously supported by Marrickville Council, through it’s Independent Artists Grant program.

At The Vanishing Point – Contemporary Art Inc.
565 King Street Newtown NSW 2042
(02) 9519 2340
0430 083 364
www.atthevanishingpoint.com.au
info@atthevanishingpoint.com.au

Gallery Hours: Thurs 10am-8pm, Fri 10am-6pm, Sat/Sun 10am-5pm

FREE ENTRY, ALL WELCOME

Interview with Fleur McMenamin of The McMenamins

In anticipation of the launch of their third album, Larry Heath had a chat to Fleur McMenamin of The McMenamins – who are celebrating the launch with a show at the Vanguard, as part of the 2010 Sydney Fringe Festival.

Thanks for speaking to us today! First of all, congratulations on the upcoming launch of your third album, Long Time Gone.

Thank you we are very excited about it.

It’s been a while since we last heard some new music from you – how long have you been working on the album for?

Yes it has been four years since our last release – and in that time we have had four children between Simon and his partner and my husband and I, so in between being consumed by babies we have been working on songs, and this year sees the birth of an album instead of a child.

Who did you record the album with?

We recorded this album with Nigel Pegrum of Pegasus Studios in Cairns, who just last year won an ARIA Award for Best World Music CD so we were in good hands.

Did the process to putting the album together differ at all from your earlier recordings?

Yes and No, we were awarded a grant from our Regional Council up here in our home town of Cairns so we had more money and double the actual recording time in the studio but the pressure to get it all done within deadlines were just as stressful because there was more at stake and more pressure to come up with the goods. Then of course there were the little ones in the picture now and they need your constant attention, and the challenge of making an album and all the time it takes to put it together when you have a whole family to consider can be really overwhelming. But in saying that – we stuck to our recording regime of being as organised as we could before we went into the studio and really focused the whole time on making the music the best we could with our limited time and resources just as we did for the previous two.

“Rise and Fall” is the first single from the album, and you recently released a music video for it – it’s got quite an old country cinema (if that makes sense!) feel to it!  Can you talk a little about why you chose this song as the single, and how the video came about?

This song came out of a particular moment in my life but like most of my songs the lyrics and the meaning behind them then morphs into something different as time goes on. So now to me, the song really represents our journey on the road we’ve chosen, our struggles and triumphs within our ambition and career as well as our family life and relationships. It’s the song that encompasses what we’ve been through in the years since our last release. Making the video and the concept for it came about by really just showing images of us on this road, how and where we live, as well as being a document of this time in our lives for our families and our children. Being regional artists (actually where I live is probably considered rural) I do a lot of driving and thinking and this is what I see what I’m surrounded by every day, and it’s where my music comes from too guess.

Of course, in between albums, you’ve been touring quite substantially – what have been some of the highlights?

Well The Waifs tour in 2007 was a major highlight and then really just being back up north we have had a great time playing in and around our region and gathering a real support base up here in Far North Queensland.

Who are some of your favourite Australian artists you’ve seen or toured with?

Maybe a little out of our genre box but I love what Washington is doing right now, and another one is Boy & Bear. Definitely Jez Mead who is coming up to be our special guest at the Tanks Launch. We caught Dan Sultan’s show the other night and that was pretty great. Then of course The Waifs, Missy, and we recently did a support spot for Angus and Julia Stone and I would have to say that that was one of the best Australian live shows I’ve seen – two extremely talented multi instrumentalists.

I know you have at least one daughter Fleur, who’d have to be three now? Does the family join you on the road?

I now have two little girls 3 and 2! And Simon’s kids are 4 and 2. Yes they will be joining us on the road for some of our touring. Mainly festivals where we can camp. Two of them came on the Waifs tour and they have of course been to many of our concerts. They love it and get so excited when they are allowed to come to shows. It is going to be rather chaotic believe me! But we’ll master it eventually and they adapt really quickly when they are little.

You’ll be playing the Festival of the Sun in December, launching off what will no doubt be a busy Summer! I imagine playing a festival is quite a different experience for an artist to that of an intimate gig?

Indeed. It is always such a great feeling being a part of a group of musicians all playing the same stage to big crowds. And yes it is shaping up to be a very big summer! But then of course playing in a small room to people who have chosen to come and support your music specifically is such an honour.

Any preference between the two?

Besides the fact that you get a better sound check at your own shows which is always good, No real preference no. Every performance is exciting and I just love playing music.

You’re launching the new album on the 22nd at the Vanguard as part of the Sydney Fringe Festival, what can audiences expect at the show?

They can expect an intimate showcase of all of our new material, which is basically a song-scape of the last 4 years of our lives, tales of love, loss, laughter, birth, small town sagas and emotional epiphanies.

If you had to describe your sound to someone who hadn’t heard of you before, how would you describe it?

Folk’n’roll man!

Thanks so much for your time!

Don’t Miss The McMenamins at the Vanguard on September 22nd!
Tickets on sale now!

http://thesydneyfringe.com.au/shows/mcmenamins-album-launch-vanguard-newtown

This interview originally appeared at http://www.theaureview.com/

Tick Tock – 48 Hours till Showtime

Tick Tock – 48 Hours till Showtime!

Wanted: scriptwriters, actors, directors, set designers….to put on a show! And film makers to document it!
Writers your chance to submit scripts, theatre groups to prepare and perform a play in two days and be on stage at The Sydney Fringe Festival before industry professionals and win prizes! Filmakers to have your docos screened and judged and awarded !

more info – http://www.facebook.com/#!/pages/Tick-Tock-48-Hours-till-Showtime/124469374262827?ref=search

enquiries: comment box on facebook or ticktock48hourstillshowtime@gmail.com or call Emily 0408425830

Introducing: A Tiny Chorus

A story about triumph, failure and all the bits in between.

Combining physical theatre, clowning, mime and downright silly-ness, a tiny chorus promises to captivate Sydney audiences from 10-25 September after winning the People’s Choice Award for Best Performance at last year’s Melbourne Fringe Festival.

Devised and performed by Emily Tomlin and Eryn Jean Norvill (both nominated for the Best Performer Award at this year’s Adelaide Fringe Festival) and directed by Marcel Dorney, a tiny chorus explores the notion of joy as its guiding principle.

The Melbourne-based production company, Elbow Room, has been making waves at Fringe Festivals around Australia since 2006 and is coming to Sydney for the first time as an official selection of The Sydney Fringe.

a tiny chorus is highly acclaimed fringe theatre at its finest. Don’t miss your chance to join these two improbable heroes as they seek out the hints in the humdrum and the vim in the vanilla!

For more information about shows at CarriageWorks as part of The Sydney Fringe head to www.carriageworks.com.au.

REVIEWS
It’s my next MUST-SEE shout out and it’s so surprising and invigorating that the only response is involuntary laughter… because it’s so damn ingenious, intelligent and courageous.- Born Dancin’, 6 October 2008
With a jelly duet, a cheap tilt at Laverne and Shirley, and a glimpse of Robert Pattinson’s awesome power, a tiny chorus ticks boxes weird and wonderful. - The Independent Weekly, 15 February 2010

KEY INFORMATION

Dates 10-25 September (Tuesday-Saturday only)Time 7.15pmDuration 1 hour (no interval)Venue Bay 20 – CarriageWorks
245 Wilson Street, Eveleigh
Nearest train station: Redfern or Macdonaldtown
Limited parking available: Enter at 229 Wilson StreetTickets $24 Adult & $20 Concession (+ Booking Fee) Ticketmaster 1300 723 038| www.carriageworks.com.auMore info www.carriageworks.com.au | http://thesydneyfringe.com.au/shows/tiny-chorus