Category: Music


Everything is wrapping up at Fringe central as we farewell the 2010 Sydney Fringe and get cracking on next year’s festivities.

The first year of the Fringe saw 260+ events, with our festival judges getting out to as many as possible in order to give out the inaugural Sydney Fringe Awards. We congratulate all of our winners, knowing that these are only a small percentage of the enormous number of events that astounded, surprised and delighted us.

Our awards night on Wednesday was a huge success with friends, artists, dim lighting and free wine making it a night to remember! Have a look below at our list of winners.

See you on the Fringe … next year!

2010 AWARD WINNERS

GROLSCH BEST OF FEST PEOPLE’S CHOICE AWARD
Rip Whitening’s Synchro Destiny Experience

THE SYDNEY FESTIVAL AWARD FOR OUTSTANDING INDEPENDENT ARTIST
Aerialize

SYDNEY MORNING HERALD MOST THRILLING THEATRICAL EVENT AWARD
SandS through the hourglass: Trapture

SYDNEY AIRPORT EXCELLENCE IN NEW THEATRE
The Hideous Demise of Detective Slate

DRUM MEDIA SHOW-STOPPING INDIVIDUAL PERFORMANCE AWARD
Blake Erickson for “Pearls before Swine”

PETER LEHMANN WINES FEAT OF PHYSICAL ASTONISHMENT CIRCUS /BURLESQUE/ PHYSICAL THEATRE) AWARD
Skye Gellmann for “Retinal Damage”

TIME OUT SYDNEY BEST MUSICAL MOMENT AWARD
Tubular Bells for Two

PURPLE GOAT DESIGN VISUAL & DIGITAL ARTS VISIONARY AWARD
Magic Wallpaper Project: Hideous Beauties Collection

AVANT CARD – BODIES IN SPACE DANCE AWARD
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CANADIAN CLUB ROFL COMEDY AWARD
Sexy Tales of Paleontology

SYDNEY BARTENDERS ON-THE-HOUSE AWARD FOR BEST FREE EVENT
Pop up Festival Tour of the City

BYTECRAFT EXCEPTIONAL ACHIEVEMENT IN PRODUCTION AND DESIGN AWARD
Clammy Glamour from the Curio Cabinet

SYDNEY BUSES GREEN PERFORMANCE AWARD FOR EXCELLENCE IN SUSTAINABILITY
Landing

CONGRATULATIONS TO ALL THE WINNERS!

We had a fantastic year one response, with 35,000 tickets being sold for Fringe performing arts events, with an additional 15,000 tickets sold for partner events (such as music), and over 50,000 attendees at dozens of other official Fringe events, which included such smash hits as the Changing Lanes festival, the Carriageworks visual arts exhibit The Awkwardness of Belonging, the Your Big Backyard event at Sydney Park and the Mobile Screenfest at the Factory, amongst dozens of events.
We didn’t know what to expect from the first year – ticket sales aren’t the only measure of success, but it’s nice to know there is an audience in Sydney for alternative arts.  It is an audience we’re committed to building for the second year. We had a mix of shows selling out, with other less commercial shows reaching smaller audiences – though, we’d like to think that’s exactly what you want in a Fringe.
Multiple shows and events sold out across the Fringe, including Candy Royalle: Love Spectacular, Sexy Tales of Paleontology, Changing Lanes, Jeffree Star, Van Park with John Paul Young, Monica Trapaga’s Monica Goes to Rehab and My Private Parts: An Inside View of Fertilisation. The musical Bare played to packed houses, as did Words & Music from Life’s A Circus…and More, the Hideous Demise of Detective Slate, Intertwine and the CarriageWorks hit, Clammy Glamour from the Curio Cabinet, as well as many others.
In other news, we’re proud to announce the nominees from the Award program!  We had representatives of the Fringe seeing shows across the event, so we could get feedback about every show.  This jury included Fringe and venue representatives, industry professionals, staff representing our funders, and others.  Here is a list of the shows they felt should be offered further acknowledgement for their excellence in Fringe 2010!
The Sydney Fringe 2010 Award Nominees
SYDNEY MORNING HERALD MOST THRILLING THEATRICAL EVENT AWARD
Burlesque Assassin
The Hideous Demise of Detective Slate
Lunamorph
Retinal Damage
SandS through the hourglass: Trapture
SYDNEY AIRPORT EXCELLENCE IN NEW THEATRE
Appleloft
Fat Boy Dancing
Erth & Nick Cave’s “Murder Ballads” puppetry piece
The Hideous Demise of Detective Slate
Off The Shelf’s Boiler Room series (programmed by Augusta Supple)
DRUM MEDIA SHOW-STOPPING INDIVIDUAL PERFORMANCE AWARD
The Alchemical Cabaret – Jason Hodgman
Bitter/Sweet – Lena Cruz
Candy Royalle: Love Spectacular – Candy Royalle
Pearls before Swine – Blake Erikson
Retinal Damage – Skye Gellmann
SYDNEY BARTENDERS ON-THE-HOUSE AWARD FOR BEST FREE EVENT
The Awkwardness of Belonging
Black Friday
Fighting Fire
Pop up Festival Tour of the City
Projector Bike
TIME OUT SYDNEY BEST MUSICAL MOMENT AWARD
Changing Lanes
Lane Hinchcliff
Pugsley Buzzard
Sonic Canvas
Tubular Bells for Two
CANADIAN CLUB ROFL COMEDY AWARD
The Hideous Demise of Detective Slate
Rip Whitening’s Synchro Destiny Experience
Sam Simmons Failed
Sexy Tales of Paleontology
Zoe & Penny’s Very Short Attention Span
PURPLE GOAT DESIGN VISUAL & DIGITAL ARTS VISIONARY AWARD:
The Awkwardness of Belonging
Lunamorph
Magic Wallpaper Project: Hideous Beauties Collection
Newtown in the 30′s
Scars, Tattoos and Skateboards: The Rise of the Phoenix
PETER LEHMANN WINES FEAT OF PHYSICAL ASTONISHMENT (CIRCUS/BURLESQUE/PHYSICAL THEATRE) AWARD
The Famous Maurice Flea Circus
Clammy Glamour from the Curio Cabinet
Retinal Damage
AVANT CARD – BODIES IN SPACE DANCE AWARD
Collapse
Intertwine
Three Steps Towards
SYDNEY BUSES GREEN PERFORMANCE AWARD FOR EXCELLENCE IN SUSTAINABILITY
Landing
Magic Mic: “Rubbish!”
The Red Rattler
BYTECRAFT EXCEPTIONAL ACHIEVEMENT IN PRODUCTION AND DESIGN AWARD
Clammy Glamour from the Curio Cabinet
SandS through the hourglass: Trapture
Three Steps Towards
GROLSCH BEST OF FEST PEOPLE’S CHOICE AWARD
Bitter/Sweet
Bygone Error
Freddy and Eden present Beautiful Things
Rip Whitening’s Synchro Destiny Experience
Walk Me!

We had a fantastic year one response, with 35,000 tickets being sold for Fringe performing arts events, with an additional 15,000 tickets sold for partner events (such as music), and over 50,000 attendees at dozens of other official Fringe events, which included such smash hits as the Changing Lanes festival, the Carriageworks visual arts exhibit The Awkwardness of Belonging, the Your Big Backyard event at Sydney Park and the Mobile Screenfest at the Factory, amongst dozens of events.
We didn’t know what to expect from the first year – ticket sales aren’t the only measure of success, but it’s nice to know there is an audience in Sydney for alternative arts.  It is an audience we’re committed to building for the second year. We had a mix of shows selling out, with other less commercial shows reaching smaller audiences – though, we’d like to think that’s exactly what you want in a Fringe. Multiple shows and events sold out across the Fringe, including Candy Royalle: Love Spectacular, Sexy Tales of Paleontology, Changing Lanes, Jeffree Star, Van Park with John Paul Young, Monica Trapaga’s Monica Goes to Rehab and My Private Parts: An Inside View of Fertilisation. The musical Bare played to packed houses, as did Words & Music from Life’s A Circus…and More, the Hideous Demise of Detective Slate, Intertwine and the CarriageWorks hit, Clammy Glamour from the Curio Cabinet, as well as many others.
In other news, we’re proud to announce the nominees from the Award program!  We had representatives of the Fringe seeing shows across the event, so we could get feedback about every show.  This jury included Fringe and venue representatives, industry professionals, staff representing our funders, and others.  Here is a list of the shows they felt should be offered further acknowledgement for their excellence in Fringe 2010!  The Sydney Fringe 2010 Award Nominees SYDNEY MORNING HERALD MOST THRILLING THEATRICAL EVENT AWARD Burlesque AssassinThe Hideous Demise of Detective Slate Lunamorph Retinal DamageSandS through the hourglass: Trapture  SYDNEY AIRPORT EXCELLENCE IN NEW THEATRE  AppleloftFat Boy Dancing Erth & Nick Cave’s “Murder Ballads” puppetry pieceThe Hideous Demise of Detective Slate Off The Shelf’s Boiler Room series (programmed by Augusta Supple) DRUM MEDIA SHOW-STOPPING INDIVIDUAL PERFORMANCE AWARD  The Alchemical Cabaret – Jason Hodgman Bitter/Sweet – Lena CruzCandy Royalle: Love Spectacular – Candy RoyallePearls before Swine – Blake EriksonRetinal Damage – Skye Gellmann  SYDNEY BARTENDERS ON-THE-HOUSE AWARD FOR BEST FREE EVENT  The Awkwardness of BelongingBlack FridayFighting FirePop up Festival Tour of the CityProjector Bike  TIME OUT SYDNEY BEST MUSICAL MOMENT AWARD Changing LanesLane Hinchcliff Pugsley BuzzardSonic CanvasTubular Bells for Two  CANADIAN CLUB ROFL COMEDY AWARDThe Hideous Demise of Detective Slate Rip Whitening’s Synchro Destiny Experience Sam Simmons Failed   Sexy Tales of Paleontology Zoe & Penny’s Very Short Attention Span  PURPLE GOAT DESIGN VISUAL & DIGITAL ARTS VISIONARY AWARD: The Awkwardness of Belonging LunamorphMagic Wallpaper Project: Hideous Beauties CollectionNewtown in the 30′s Scars, Tattoos and Skateboards: The Rise of the Phoenix PETER LEHMANN WINES FEAT OF PHYSICAL ASTONISHMENT (CIRCUS/BURLESQUE/PHYSICAL THEATRE) AWARD The Famous Maurice Flea CircusClammy Glamour from the Curio Cabinet Retinal Damage  AVANT CARD – BODIES IN SPACE DANCE AWARD  Collapse Intertwine Three Steps Towards    SYDNEY BUSES GREEN PERFORMANCE AWARD FOR EXCELLENCE IN SUSTAINABILITY  Landing Magic Mic: “Rubbish!”The Red Rattler BYTECRAFT EXCEPTIONAL ACHIEVEMENT IN PRODUCTION AND DESIGN AWARDClammy Glamour from the Curio CabinetSandS through the hourglass: TraptureThree Steps Towards  GROLSCH BEST OF FEST PEOPLE’S CHOICE AWARDBitter/SweetBygone ErrorFreddy and Eden present Beautiful ThingsRip Whitening’s Synchro Destiny ExperienceWalk Me!

Interview with Appleloft by Lisa Banks

1.    What is Appleloft?
Appleloft started as a performance night in Wollongong, hosted by Applespielers and friends in garages, living rooms and backyards. It started as a facilitator for performers, artists, writers and musicians to show their work in the local community. The Appleloft being produced for The Sydney Fringe is an amalgamation of short works that Applespiel members have created over the course of almost two years of garage experiments in Wollongong, along with new works developed specifically for the Fringe. People can expect a night of games, performances and lots of baked goods.

2.    Where did you come up with the name Applespiel and who makes up the collective?
The name Applespiel came from the first work we did as a collective for the Wild Card section of Short & Sweet, almost two years ago. We created a piece that was a bit of a ‘screw you’ to the festival, mostly us doing things we thought were fun. The piece was called ’Applespiel’ because Nathan sat for ten minutes and methodically taste-tested apples and rated them from ‘most delicious’ to ‘least delicious’. We also played golf with a brick, Emma did stand-up about Wollongong birds dressed as a ghost, and Rachel stripped Troy and basted him like a turkey. Then we spend five minutes mopping up basting oil and bowing – to tumultuous applause (from the lighting operator, an instant Applespiel fan. I’m not sure the audience applauded much). After that the name stuck as a sort of label when any members of the group did any performance work. In this way it’s a loose name for our collective of artists, and we use it whether we do
works as a group or as individuals. The regular Applespielers are Simon Binns, Jarred Duffy, Joseph Parro, Nathan Harrison, Nikki Kennedy, Emma McManus, Troy Reid, Rachel Roberts and Mark Rogers.

3.    Where did you draw your inspiration from for the production?
We really wanted to produce a performance that was fun and interactive for the audience as well. Something where we weren’t trying to shock or disturb the audience at face-value, but rather establish a comfortable working relationship with them and create an atmosphere were both performer and audience are involved and having fun – similar to the relaxed atmosphere of the garage/lounge room Applelofts. All of the works you will see in Appleloft have been created or reworked by Applespielers, so the inspiration for specific performances are individual, but there is a common themes that draws the night together.

4.    I saw on your blog that you have some links to FBIradio, PACT and other youth orientated organisations and groups. What impact has community organisations like these had on you guys creatively?
We are in many ways beholden to PACT and the Quarterbred gang for their ongoing support. Ever since Tiny Stadiums, the planning stages of which began in 2009, they have been wonderful and their place in the Sydney performance scene is vital to emerging artists. We look forward to continuing our association with PACT. Media groups such as FBi have supported us a few times, starting during Tiny Stadiums, and it’s wonderful to get a chance to talk about and promote our work with a radio station that has great arts programs and really friendly people. Creatively, the assistance and often just the presence of supportive organisations such as PACT have, i think, encouraged us to keep things real and honest and personal, and to focus on the work and networking as being of greater value than promotion or hype.

5.    Do you use social media to gain publicity for your gigs and performances?
Yes, it’s free advertising, who wouldn’t? We love social media; we use our blog, twitter and facebook to spread the word about our upcoming shows. People are always happy to pass on links and email eFlyers around to help us out and that’s wonderful. It’s economical and environmentally friendly, rather than contributing to the plethora of paper flyers. We came into the Fringe with little-to-no budget, and decided to work with a $0 marketing campaign for our show, using our blog and youtube ads to spread the word. Since being supported as part of the PACT Presents… program, we’ve been lucky enough to receive extra promotion through PACT along with the other PACT Presents… shows.

6.    How did you all meet?
We met at University of Wollongong. We were all in the same year of the Bachelor of Creative Arts Performance course and decided we wanted to continue performing together. Since the three-year course finished, we’ve gone our separate ways, spreading through England and the US to complete electives, start Honours degrees and Dip.Eds. By the end of
October all nine of us will be back in the country and ready to knock everyone’s socks off.

(Rachel Roberts and Troy Reid, of Applespiel)

APPLELOFT (by Applespiel)
Thurs 23 – 6:30pm | Fri 24: 8:00pm| Sat 25  6:30pm

All Tickets: Full Price $22 Concession $18 available from www.thesydneyfringe.com.au

Tubular Bells For Two @ The Vanguard

Appearing at the Vanguard 12th Sep, 2010 Daniel Holdsworth and Aidan Roberts perform Tubular Bells For Two, with Brian Campeau appropriating Pink Floyd’s ‘Meddle’.

You can view the entire image gallery at the AU Review http://www.theaureview.com/photos/tubular-bells-for-two-vanguard-12-sep-2010?page=1&titles=off

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When the St Jeromes Laneway festival premiered in Melbourne in 2004, it created headlines throughout the Australian music industry – an amazing mix of musicians playing to a crowded laneway (Caledonian lane); a day people would continue to talk about well beyond its 2nd incarnation. Years later, it’s not so much a laneway festival anymore, but rather a national boutique music festival (read: juggernaut) that even Pitchfork can’t help but praise. New Zealand even got in on the act this year.

But let’s go back to where it all began. That first year, that first stage, that first band. This weekend, for the first time in recent memory, Sydney gave birth to a true laneway festival of it’s own – 2,000 punters cramming into Eliza St in Newtown, giving Melbourne a run for their money and giving Sydney hipster kids a day to tell all their friends about.

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Part of the Sydney Fringe Festival, and in collaboration with FBi Radio, Maps Entertainment put together a truly fantastic Sunday afternoon festival in “Changing Lanes”. Headlined by it-kids Tame Impala, the Perth favourites celebrated the day on the main stage alongside local heroes BridezillaCabinsJinja Safari,Thundamentals, Richard In Your Mind and Ernest Ellis. But that was only the start of the action. The day turned into night at the Bank Hotel with a hip hop and an electro stage, with live performances from artists like Mrs Bishop and Spit Syndicate – plus DJ sets from dozens of talents like Joyride and Mark Murphy. Tonight even heradled the return of Itch-e and Scratch-e (aka Paul Mac and Andy Rantzen).

Sunny Sundays don’t get much better than this.

I spent my day cruising exclusively around the main stage, so it’s here that our coverage will focus. Having regretfully missed amazing talents Ernest Ellis and Richard in Your Mind, I arrived just in time to catch Triple J Splendour Unearthed winners, and local favourites, Jinja Safari. The two piece (who play live as a five piece) were spine chillingly good – the natural reverb of the laneway providing them with a natural, beautiful, developed sound. In fact, acoustically, this space proved perfect for all the artists who called the laneway their home.

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Sydney’s own Cabins (above) were next, and killed it. These guys are getting better and better with every appearance. Despite still not being in possession of their debut album, I’m at a point now where I know every song from live appearances alone – knowing them well enough to realise just how much they’ve developed as a band over the last few months. I’ve said it before and I’ll say it began: these guys are Sydney’s next big thing. Or perhaps they already are?

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Purple Sneakers DJs provided us with their usual impressive mix of tunes, as we awaited forThundamentals (pictured above) to hit the stage. Being the sole voice of Aussie hip hop on a stage full of indie rock bands, really put the respected ensemble out of their comfort zone. I think this was a sentiment shared by much of the crowd, but nonetheless, they put on a good show and seemed to impress the Aussie hip hop fans in the crowd. For the rest of us, it was time to get some $5 Pad Thai from the Bank Hotel. Delicious!

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The always wonderful Bridezilla (pictured above) were next, after Bag Raiders played a rather unimpressive DJ Set – you just couldn’t hear them! So probably no fault of their own. As for Bridezilla, dressed in running tracksuits no doubt in celebration of the city’s running festival (which made it difficult to get to the festival early for some…), they were indeed as impressive as they’ve always been.

The last time I saw them, however, this wasn’t quite the case: it seemed like they weren’t as “into it” as they had been in the past. Enthusiasm seemed to be waning… but now it just seems like it was an off night. Tonight, with a few new tracks up their sleeve, they breathed new life into their set – and I think their creative personas, too. I sense a new record mightn’t be too far away… we’re looking forward to hearing what comes out of it!

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But it wasn’t until Tame Impala (pictured above) hit the stage that the laneway hit it’s capacity, and felt like it was bursting at the seams; friends pushing friends up onto the barriers to get the best possible view. Like those before them, Tame Impala had never sounded better in the laneway. They pushed their set past the 6pm cut off, saying they’d keep playing even if they turned the power off. And with that in mind, they jammed out two crowd favourites – “Remember Me” and “Half Full Glass of Wine” amongst the tracks to round out the day as the sun was setting.

As we made our way out of the venue, I saw the line going into the Bank Hotel (where the festival would continue until midnight) and thought it best to embrace my exhaustion and call it a day. Having poked my head in before, however, I have no doubt the excellent vibes would have continued until the early hours of the morning. But for me, my memories of this short but sweet festival on a sunny Sunday afternoon will last me well until the festival reemerges next year. And I have it on high authority that this is exactly what will happen. Bigger and better? Probably… But at least we can all say we were there when Changing Lanes all began.

Let’s just hope Eliza St isn’t a shopping mall in 6 years time… the fate regretfully suffered by Caledonian lane.

Photos by Mr F Stop. This review originally appeared on the AU review.

I’ve always been a bit of a magnet for secrets. Ever since I was a teenager, friends and random classmates would tell me who they fancied, why they hated the girl with the bob, why the girl with the bob didn’t know what she’d done wrong, if they were considering breaking up with / asking out their latest partner / crush… A veritable banquet of confessions which my (literally and metaphorically) broad shoulders housed.

Well, most of the time, there was the need to share the load sometimes, a brief mention to a trusted confidant. Just to distill the feeling that bubbles up inside when there is something only you know. The same happened at uni and then at work. Clearly I look trustworthy; I am…until I’ve had a G&T!

So really  after all this history with secrets it’s come as no surprise to me that I find myself in a show like Dirty Laundry where the audience tells us their salacious secrets and we get to make them into sketch on the spot. As I’ve found over the years it’s better to share a secret. You feel better and everyone enjoys a bit of gossip, or finding out some absurd fact or weird little story about someone. Better still if it’s a complete stranger – you can have all the fun and none of the awkward aftermath!

Our troupe, Panda Smackdown asked some friends prior to the show about secrets and found two thirds of people will pass on the secrets they’ve promised to keep. This is great for us, but maybe think twice about who you’re airing your laundry to. In the run up to the show we’ve heard all sorts of titbits. One of my favourites was someone’s ex thought the anamatronic dinosaurs at Universal Studios were real, until told otherwise.

We grab gems like this one and bring them to life in an instant, a splash of the absurd, a dash of comedy and a whole bundle of enjoyment. Our fabulous character host keeps us in check and coaxes a story or several from the audience. Oh, and we throw in a few of our own stories along the way.

So head down to Dirty Laundry at Red Rattler, this Thursday (23/9), Friday (24/9) and Saturday (25/9).

Cohen purists beware…

Review by Andrew Laughlin

What can one expect from a show called “Cohen Koans”? Especially when it is
accompanied by a rather wistful and enigmatic portrait of Ali Hughes, the chanteuse and frontwoman of Ali and the Thieves? The crowd at Notes in Enmore on a cool Sunday evening may have been expecting Leonard Cohen seen through the bluesy, jazz-drenched stylings of the combo’s previous outings. But this was much more. It was Leonard Cohen redux: re-interpreted in utterly surprising ways.
As the band assembled on the stage, and the audience fell hushed. Suddenly, draped in black silk, Hughes descended the staircase from the venue’s mezzanine at stage left, her backing vocalists in her wake. A grand entrance worthy of MGM in its heyday, to a thunderous ovation. As she walked, she intoned the lyrics of The Guests. Entranced, the audience tracked her every move, breathless.The journey began as Hughes segued into Avalanche.
Vignettes, including the explanation of Koans, peppered the set, as Hughes and her Thieves took us through a back-catalogue of Cohen songs including Dance me to the End of Love, Chelsea Hotel, I’m Your Man, and Suzanne. Instead of Cohen’s trademark growl, Hughes voice showed its range and agility as it plumbed gutsy blues notes in Feels So Good, and then soared poignantly through songs like If it be Your Will. The inevitable Hallelujah was touched upon only in passing, Hughes preferring to explore the Cohen Canon more broadly. And broad was the accent with which Hughes played with Everybody Knows – Cohen purists beware!
Daryl Wallis, MD, keyboardist and co-creator/-conspirator and Hughes work
seamlessly together to guide and shape the performance. Their onstage
communication is like a superbly executed pas de deux with each knowing where the other is heading. This is a wonderful creative partnership which delivers the goods!
The other Thieves: Michael Galeazzi on upright bass and David Manuel on drums/ percussion, grounded the performance with their solid playing. This is a group of musicians in complete sync – comfortable, relaxed, yet never complacent. Andy Conaghan and Mitchell Winter provided the perfect vocal accompaniment, and a moment of unexpected choreography which spun Sisters of Mercy on its head.
Those expecting a covers show should look elsewhere: this is a sophisticated re-working of Cohen, cleverly staged and beautifully executed. Hughes is a consummate performer. This reviewer will never look at a strawberry the same way again.
Annie Pfeiffer is the Percussionist and Vocalist of Melbourne’s The Barons of Tang, headliners of the Bohemian Masquerade Ball – taking over the Factory Theatre on September 25th. Larry Heath from the AU review chatted to Annie about what we can expect at the show. The full interview can be found here.

You’re now two shows into the Boho Ball tour – how did the first two go?
They were smoke-filled, silk-draped and sensational! It’s a crazy troupe of cats in a rainbow coloured bus traveling the road and creating mayhem and art so the shows are always fun, and so far the audience have joined the party in full swing.

Other than yourselves of course, who are some of the other highlights on this national tour?
We’ve been honored to join the fabulous Mr Fibby and Mojo Juju, The Crooked Fiddle Band and Ghostboy and the Golden Virtues will be gracing stages as the Ball heads north.
I imagine you got to experience a few acts over the weekend for the first time?
Yes! And that experience has changed us, for example, since seeing The Great Zambini in Candelo we try to maim much more of our audience members. For life.
And as for yourselves, what can we expect from your show at the Boho Ball?
Well, Carlos will probably take a nap in the shower backstage. But the rest of us will be there!
Will you be changing things up from show to show?
We all wear vintage wigs during our shows, so we’ll be swapping them between ourselves throughout the gigs. One night Aviva might have a powdered judges wig, the next night she might have a miniature recreation of the Eiffel Tower.
And finally, do you guys have any sort of ritual before you get onto the stage to pump yourselves up?
We have been known to down carbohydrate shots, howl at the moon and arm wrestle just to get started.

Bygone Error
The Sydney Fringe is coming up fast now, and let me assure you it is going to be a blast. There is however one fly in the ointment so to speak; Fringe Festivals such as this one do present a marketing problem for our show.

But I am getting ahead of myself, first let me introduce myself. My name is Christian Reynolds and I am part of a father/son duo called Bygone Error. We perform turn-of-the-century British Music Hall songs, recitations, and verse  – what I like to think of as ‘Proto Cabaret” – English and Australian popular songs from the 1830’s up to the outbreak of WW1 as well as jokes from the era.

Our songs range from classic sing-alongs (I Do Like To Be Beside The Sea Side, Any Old Iron, and When Father Papered The Parlour) to fast paced numbers full of alliteration (What I Want Is A Proper Cup Of Coffee) interspersed with jokes that are so old that they voided their warranty’s when Victoria was still on the throne.

And this is our problem.

Since our act is so unique, it makes us jolly hard to classify into a genre for a festival program. Do we go under Comedy, due to our comedic banter and songs; Music, as the songs are what the audience remembers (and the choruses do stick in the mind for a long time) ; or do we classify ourselves as Cabaret, as we feel we rightly should?

It is a conundrum that we face each festival, with each category offering a different audience  base (on a side note it has been interesting observing which classification draws the biggest crowds!).  At the Sydney Fringe we have been placed in the Musical Theatre/ Cabaret section which suits us fine and we hope draws an enthusiastic crowd.

We would love to further discuss the problems of program classification further so feel free to email us, or to really make up your mind about how we should be classified – come and see our show!

Catch us at the The Fuse Box 105 Victoria Road Enmore

Thurs Sept 16 8.00pm

Fri Sept 17 5.00pm

Fri Sept 17 6.30pm

Sat Sept 18 9.30pm

Sun Sept 19 6.30 pm

TICKETS: Adult: $24.00 Concession: $20.00 excl booking fee

Check our Sydney Fringe’s show out via this finely forged link: http://thesydneyfringe.com.au/shows/bygone-error

Bygone Error: A show carefully crafted to captivate the connoisseur and confound the castigator

myspace.com/bygoneerror facebook.com/bygoneerror

Burlesque Assassin – may include bondage.

I had a coffee with the Burlesque Assassin, Nikki Nouveau at Cinque. It’s a public space so I thought that if she whipped out any restricted weapons, at least there would be witnesses.

Nikki quickly put me at ease with her enthusiasm for burlesque and martial arts. Scorned hot babes who don’t take any shit are always hotter with a weapon. Tank Girl. Barbarella. Lucy Liu in Kill Bill. Any of them. Trained by her martial arts-obsessed brother, she got the idea for the burlesque show when watching Bruce Lee whirling his ‘chucks in the film ‘Enter The Dragon.’

A seasoned singer and performer, with 15 years of singing under her belt, Nikki is not content just to slay the audience with her sultry singing but would rather take us through an unnerving trail of vengeance and seduction. Her 50 minute show has been developed with the mentorship of Wendy Dys and the visuals are amped with the aerial talents of Matt Kinsinger, and professional ballerina Simone Smiles. The bittersweet musical score is provided by her regular band, The Knife Waltz, playing a live soundtrack to this unique cabaret.

Not only danger and talent, but Nikki promises me (well, I mean the audience) bondage. That’s right, some bondage.

So a few quick questions:

You are such a multi-faceted artist. In your artistic process, what comes first for you… the music, the visual or the concept?

My ideas flow from a storytelling notion. I really like to develop a character to a deep level… in this case, I’ve tried to find that combination of crazy and sensual.

Have you ever hurt yourself with your nunchucks?

No. Only chipped a nail.

Lucky! Have you ever considered branching out into a Teenage Mutant Ninja Turtles burlesque side project?

Um… no.

Burlesque Assassin opens tonight at the Red Rattler Theatre, Marrickville.

Sat 08.00pm
Sun 09.30pm
Thu 09.30pm

Tickets available at http://thesydneyfringe.com.au/shows/burlesque-assassin

…And for some Bruce Lee nunchuck genius:

http://www.youtube.com/watch?v=Ysy4pDwWJAw&feature=fvst